• 10-30-2012 07:54 PM #0
    keyofnight
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    Quote Originally Posted by cliveh View Post
    For example, if you are trying to copy lithographic prints that have high contrast and very fine detail, then stand development may prove advantageous in the latter part of the development cycle. However, for standard shots on panchromatic film leave alone.
    So there are no possible advantages to semi-stand developing high contrast subjects on panchromatic film? None at all? Not even… avoiding blown highlights? The supposed shadow detail you gain? The ability to control the contrast you get when you push? The convenience of not having to worry too much about temperature, time, etc.? Practice for other processes that require it (lithographic prints, I guess)? The fun of trying something different?

    Either way I don't understand why people care about this issue so much, what supposed rule I'm breaking, what the stakes are, what nerve I (accidentally) pinched, and so on.

    I'll be honest, though: this argument is taking the fun out of the process. I'll respectfully withdraw. :/ And with that…that thanks for all the help.
    Last edited by keyofnight; 10-30-2012 at 08:04 PM. Click to view previous post history. Reason: More detail.
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