Agree on the paper, I have no more than a year supply on hand. As for film base fog, I am doing better than expected in that regard..
For example, I live at 8,000 feet and yet both my Kodak HIE expired in 2009 and my Aerographic 2424 (120 version of HIE ) have no detectable base fog. I bet it will be fine by the time it is all shot in a couple years, who knew?
That being said, I have no other films like that or really high speed stuff stored for the reasons you have stated. I bet one could come up with a sound plan for color, I personally have no interest in doing that though...
Originally Posted by Ronald Moravec