I always dry mount and float the work inside a larger matt, same as your usual method. It's an exquisite presentation. I also sometimes steam my paper surfaces, so a perfectly flat mount really shows that off.

As far as museums and collectors are concerned, thankfully I'm not St. Ansel. Or even Uncle Bill. But I have heard that MAS dry mounts all of his work, and he's a little better known than any of us...



Ken