So if this look achieved in the printing process, does that mean that this photo was printed then scanned, as opposed to scanning the negative to digitize it?
When I shoot color print I always underexpose by at least 2 stops because otherwise it looks washed out and boring (despite the highlights not clipping). I like the dark and moody feel. Is the "proper" M.O., then, to expose the negative to achieve the most tonal range, then darken the image to taste when printing?
Sorry I'm completely unfamiliar with darkroom stuff at this point. Right now I'm only shooting negatives and scanning them in the meantime (a shame really, since screens can never do film justice).