I like the untoned Galerie image tint. But, I use KRST for print protection. I recall David Vestal writing about toning Galerie with no color shift using with high KRST ratios; 1:40 and ?? time. In the late 70s Vestal was one of many writers/photographers calling for the best graded paper from manufacturers. Unique papers from Defender/DuPont and others were disappearing. Photographers provided manufacturers feedback on their wishes. Ilford responded with Galerie. The new paper was highly praised.
I'm not making the case for what paper is the best. All the papers I have used are very good. They are all different concerning contrast curves, paper surface, tint, and other properties.
I'm making the case to stay with one film, one developer, one or two papers until you know them like the back of your hand. I have gotten great results in less time when I standardize negatives for the variables in the image chain. Paper is a big deal and every time I get calibrated the papers disappear.
When you know your materials you can enter your DR and nail a print within 10 to 15 min. Is that not a joy!!
Last edited by Richard Jepsen; 01-10-2013 at 12:54 PM. Click to view previous post history.