Coincidentally, I'd been shooting some black and white the past few years for exactly the reasons you mention.
Originally Posted by polyglot
Since 2010, due to a bad experience with a large pro-chain in my area, I've slowly been working towards printing and processing both B&W and C-41 (and maybe some ECN-2 in the future). It's taken longer than I intended, but I am almost there, and will be doing C-41 this year. Also, the wonderful information here on APUG has shown me that color is not that difficult to hand-process.
I do have some equipment, and over the past few years I've processed some B&W in the bathroom; 35mm, 120, and 4x5 negs from a lousy pinhole I made from a cigar box. I've yet to develop the Harmon direct-positive paper I exposed in the pinhole box.
I have some fresh B&W paper and chemicals (and expired liquid paper developer - it was cheap, so if it's useless it's no great loss). I just received a Rollei Digibase kit, which is waiting for me to expose enough color film to not waste it. I still have to work out a tempered bath - I'm an aquarium heater away from processing color. I know I will mess up as I learn, but as I say; In chess, you don't learn by winning. I don't want to ruin good film, but will need a baseline. Thus, I will include a roll of fresh C-41 with a few expired rolls each time I run a tank.
When Loomis Camera in Elyria closed last October I picked up a couple Vivitar 356 enlargers for about $15 each. Both work, and I'm keeping the "spare" for parts. Not professional units, but they will suit me fine for a while. I'm now a chemical kit and box of paper away from color printing.
It has been a long time since I printed B&W, so I will try to get up to speed there before printing color.
Last edited by Truzi; 01-13-2013 at 07:20 PM. Click to view previous post history.