People need to try Galerie. It's a classic traditional graded paper with a neutral, rich tonal range. Crisp whites and inky blacks with a long palette of gray tones in between. There is something to be said about simplicity and knowing your negative. When you have your developing down and sort negatives for paper contrast the prints print themselves. Will almost.
I would think 120 would be soft and slightly warmer. Are you using 120 with a harder developer to get 1/2 step changes in contrast on Galerie?