Can I ask what is the evidence for the matrix metering of the F5 and F100 being designed for chromes? I'd have thought that when both these cameras came out, chrome sales were already declining and most users were shooting B&W and colour neg.

What Chan Tran has said seems to render the very extensive matrix memory of the F100 and the F5 almost useless or certainly seriously defective for users of B&W and colour neg as exposure compensation will not rectify the situation.