Well, most have seen them before, but I'm guessing the Daily Mail readership haven't. Which is good.
And is somebody going to write in and explain that they weren't tinted sepia?
And also, just to show how far photography has come - http://wefolk.s3.amazonaws.com/image...jpg?1333362237
A lot of contemporary colour work is simply O'Sullivan pastiche. This work by Kander is probably intentionally so and, of course, quite brilliant. But modern large format photographers have soooooo much to owe to O'Sullivan for their sense of composition specifically, more so than Adams.