Quote Originally Posted by Ken Nadvornick View Post
While he may have been adept at deciding where to set down a tripod—and the resulting photographs are indeed fascinating documents—I'm not so sure the "artiness" of his task was uppermost in his mind at the time.
That's exactly what makes it work, IMHO. As a lifelong American West denizen and an inveterate desert rat, I recognize O'Sullivan's landscapes as "home" in a way that's missing in much of the more "artified" work of photographers like AA. O'Sullivan's West is dry, dirty, and tough; so is the one I know. I recognize the big Grand Landscapes are there, of course, but to my eye the f/64 approach romanticizes them and loses some reality.

Looking at those images makes me want to shove off from work and head out to the Salton Sea with a camera.