It's an interesting tradeoff. The optical route gives you the highest resolution with the least loss of information from the negative, especially if you use larger film but the hybrid route gives you far more control which is important if the lighting situation is difficult (strong colour casts or mixed lighting) because you can make any number of corrections digitally that you can't optically. In particular, it's much easier to correct for strong lighting-colour errors (e.g. due to shooting under tungsten light without a tungsten/daylight conversion filter) digitally than under the enlarger.
Originally Posted by LucRoMar
The digital route also gives you contrast and saturation control which can be very important, particularly because there are now only high-contrast RA4 papers available which makes portraiture more difficult.
This is true (that cold RA4 is OK) when printing on Kodak paper. The Fuji paper can give bad crossover though if not developed at vaguely the correct temperature - I use 35C. And Fuji paper is by far the more available now, especially if you want to buy sheets not rolls.
Originally Posted by jm94
Last edited by polyglot; 02-27-2013 at 05:12 PM. Click to view previous post history.