Originally Posted by Bill Burk
I will say red is the wrong safelight color, you are better off working without a safelight.
I know you'll lose the fun and magic of watching the print develop.
But you will have the magic of a better finished print.
Bill, am I miss reading your post? Red safelighting is fine. Are you suggesting he does this in total darkness?
“The contemplation of things as they are, without error or confusion, without substitution or imposture, is in itself a nobler thing than a whole harvest of invention”