My prints are created from ACROS 100 negs or Velvia 50 / Provia 100F trannies.
The colour process is more involved, B&W straightforward with myriad variations in finish.
The reason wet darkrooms went out of fashion, so to speak, is that they priced themselves out of the market when hybridisation leapfrogged over them (including Ilfochrome with all its inherent sticky contrast problems). After my own early difficulties and frustrations securing a darkroom, I used to pay a Master Printer (a brilliant Finn, commercial darkroom-based) $58 per hour to produce a triptych of images (typically $400 for three RC or FB prints); the results were always truly exquisite. He and the darkroom have been gone a long time now, something like 15 years.