Interesting idea...to do a one-off "Efke project" (or even a one-off "Ektachrome project"). I did my own little "Kodachrome project" over the last two years before processing ceased in Dec 2010, shooting about 200 films. If nothing else, I found how much better (at least technically) one's pictures become by concentrating on one film and learning all its characteristics and querks. This would probably apply even more with B&W, not only getting to know a film but also keeping to standardised development techniques, rather than always experimenting?
Originally Posted by TheToadMen