Slightly different comment: I was framing a CA print last nite from an 8x10 neg, printed several yrs ago,
well before starting masking tricks with this kind of material - but it looked so credible, even given the
limitations inherent to the film more than a decade back. ... None of that gooey hyper-saturated fake
Fauxtoshop look that people think they need nowadays. The subtle relationships between complex hues
were there ...No, not the mushy things that people typically associate with color neg film (I figured
out how to avoid that some time ago) ... Just made me feel good about sticking with the darkroom,
and to hell with the marketing trends with their pyschedelic saturation.