Quote Originally Posted by markbarendt View Post
Good thoughts Doremus.

One thought/question though here;



Isn't compensation more about fitting the scene to the paper by encouraging the film curve to shoulder off by discouraging highlight development?

Seems to me that compensation is actually "designed" to get to more print detail by actually reducing the negative's highlight detail.

Put another way, isn't compensation simply trying to create more of an S-curve than a linear curve?
Correct, Mark. The total "information" that can be in the negative is limited by the film's inherent exposure scale, and exposure. Development can either maintain that information, or reduce it. It can not increase it. Compensating development preferentially reduces highlight contrast. Highlight information is "expensed" for easier printing.