I never even think about this when shooting architecture. I might think about differences in image circle
or possibly minor nuances in contrast. But I could choose a Nikkor M or Fuji A or C or W, or a G-Claron, or even a Dagor from my selection (not that I own 'em all in 300, but close enough!). Not one of them would have a distortion issue unless you were way outside the usable circle of coverage. I guess if one was doing really high-end copy camera work in the old days, the lens of choice would be an Apo Nikkor process lens, or an Apo El Nikkor if you could put that next car purchase on hold, but that amounts to ridiculous overkill for any typical application.