Personally I'd shoot FP-4 or Acros for the scenery. But being a Kodak guy sounds like you're set. Do the documentary stuff in 35 and shoot Tmax 100. If it very bright and contrasty is shoot the Tmax 100 at 50 and pull back development times by 30%. That's always worked for me in beach shoots to get good nice moderate contrast with shadow detail and still have highlights bright but not blown out.