Quote Originally Posted by ntenny View Post
I think it's interesting that there seem to be different degrees of the "yellow problem"; a number of people have gotten batches of the Maco/Rollei packaged film that were somewhere between "very warm" and "a little yellowish", while others have had film that was really severely yellow-skewed. Whatever happened to this film, it doesn't seem to have been an on-or-off problem but something with variable effects from sample to sample.

It'd be nice to see a correctly balanced version available in rolls, but considering the grain I'd get much more interested if it were available in 120 than in 35mm. Better yet, someone bring back RSX II 50!

RSX II 50 sounds like a great film, but ive never used it.
I think its worth shooting this film, as Alpenhause feels his film has no significant grain. Again, the grain issue may be due to the faults found in the CR200.
Its also possible that Wittner-Cinetec may be able to cut it in 120 format from a master roll, but they probably would only do this if they had enough demand, you can already get CR200 in 120 format, so lets hope that we see some faultless stock from Rollei soon, although i expect we could be waiting a very long time.