I'm a little more realistic than that. I was interested in how he does it. If you're ever looking for me in an art gallery, I'll be the guy with his nose up against the picture to see if I can identify the weft of the paper or stroke of the brush. I believe you can't really understand what makes Ansel until you find yourself in front of one and you can see why. I was under the impression that Genesis was shot on film and when I saw the prints I thought 'if these are darkroom prints, I'll probably never see such craftsmanship ever again' - they are unbelievable and unbelievably good.

Knowing now that they are digital and printed by some industrial deep thought printing device makes the images easier to process in my mind.