Well it was a little confusing because you said this... "RVP 100F: a silly pot-pourri of yellow mustards, bland greens, muggy browns and insipid reds that clash and clang and jar, particularly on Ilfochrome. No great mystery why it's on the way out. Provia 100F is Velvia with a subdued palette and better shadow/highlight tolerance. Much better skin tones than both RVPs. All of my RVP imaging is spot metered, with full polarisation. It remains the gold standard among analogue professionals involved in printing for gallery exhibition. In MF and LF, it is an easier film to work with by dint of separate, disciminate metering. In 35mm, a lot of contrast and tone is packed into a small size which is not always well managed by on-board meters. It's best to experiment with this film so you can make an informed and careful judgement about the film's response to many situations from flat, foggy illumination to marginal emergent point light, because it will require fine tweaking of metering to balance everything, very especially so if the result is destined for printing. EI40 for 35mm is common, ISO 50 is a judgement call. In MF/LF/ULF, ISO 50 to EI64 are fine."
Originally Posted by Poisson Du Jour
So the last film you mentioned was Provia 100F and so that's why I asked for clarification because in terms of sentence structure, you could have been talking about the provia not velvia... glad we settled that, just explaining why I was confused.
EDIT: I just realized you did mention RVP next... but I forgot what RVP was ... I'm not good with the abbreviations for all these films, they never make sense and often don't exactly match what you'd think the name would be matched to, like TMY and TMX, I would think both TMX would be tmax... and RVP... well ... who knows ... VEL and PRV make more sense to me ... something like that. I'm babbling now...
Last edited by StoneNYC; 07-18-2013 at 02:34 AM. Click to view previous post history.