"There’s also a sense of backlash against digital technology, and the emergence of what might be called a 'slow photo' movement."
"Tim, who took my picture, is a creative director with an ad agency and shoots digital all the time for work. Shooting on his Polaroid has made him look at pictures differently. 'I used to go out and shoot 300 photos, bam, bam, bam,' he says. 'With film, you can't do that. It’s too expensive. You have to slow down. You have to think before you shoot.' "