I was reading an essay by Todd Papgeorge on Robert Adams, and came across this explanation of his film developing technique for "The New West":

http://www.americansuburbx.com/2011/...m-what-we.html

It involved the use of shallow custom-made trays and required that Adams make a loop of a single roll of film by taping its ends together and then manipulating it through several trays of photographic chemistry, all in pitch blackness. This procedure, requiring thirty-five to forty minutes start to finish, was more time-consuming (and finical) than that undertaken by beginning photography students developing their first negatives in plastic tanks, and considerably more so than that employed by experienced photographers developing, in larger tanks, up to four rolls of the same type of film, or even eighteen, in another, trickier procedure employing yet another kind of tank and steel racks. But for Adams, this painstaking process was essential, because, more than any other technique he knew, it promised that his negatives would have smooth, unmottled development, allowing the sky areas of his bright prints to appear seamless as they burned away at the high end of the photographic tonal scale toward absolute, paper white


This sounds like stand development, right? Anyone know for sure, and why he taped the roll in a loop rather than use tanks? I wonder if he was doing development by inspection.