Quote Originally Posted by Ken Nadvornick View Post
That depends on each individual, and whether any of the obvious differences between the two tool sets matter to them.

For example...

If 'blansky' manages to tame the newborn and creates a stunningly insightful portrait, Mom isn't going care how that scene made it to her wall. As far as she's concerned, she's thrilled and 'blansky' is a freakin' genius.

However, if Ken has finally decided to spend $10,000* to buy that vintage Ansel Adams Clearing Winter Storm that he always wanted, it's probably going to make a BIG difference to him how that scene made it to his wall. The process differences between the hand-made-by-Ansel-in-1980 version and a negative-scan-and-inkjet-in-2013 version could not be more meaningful.

In the first example, process could not be more irrelevant. In the second example, process could not be more critical. But in both examples, the core differences between the two photographic processes do still exist. That's a fact that is not open to interpretation.

As noted earlier, one does not dunk CCDs into D-76 in order to extract images...

Ken

* or whatever, I didn't actually Google it...
There are two reasons that I see for the value of Clearing Winter Storm.

One is the reasons is the image, the other is the Adams mystique.

Adams, like other successful artists, marketers, hucksters; sold "us" on his process. (As evidence I offer his books.) Silver gelatin printing is only important in the market valuation of clearing winter storm because "that's how Ansel did it", its how the original was made. Anything else would be "a fake".

Elliot Erwitt and Steve McCurry don't need to worry as much about the exact how of processing as the Adams estate might.