A few years back I went to a Large Format workshop and at one point we were setting up to take a shot of the leader, Per Volquartz.
Then somebody asked anybody got a meter? Silly question.
A moment or two later there were a great variety of meters at hand, I was the lone guy using an incident meter. There was much discussion and probably 50 or more readings taken over the next few minutes, lots of discussion about how and why and this and that and I don't remember Per saying a word (none of us were newbies).
As I remember, in the end we all came to an essentially equivalent setting choice for the shot.
Any metering method, when well practiced, can get you the info you need to shoot and develop your film. Both methods are fully interchangeable.