Quote Originally Posted by ntenny View Post
I actually used to use a lot of Fomapan 100 for really long night exposures---usually f/8 for about 15 minutes, give or take---souping in Diafine. I think I had some sort of vague hope that the bad reciprocity along with the compensation would help control the highlights, and while that may or may not actually make sense, it worked out pretty well in practice.

Cool. Got any examples to show?