On artdaily today –

http://artdaily.com/

I was looking at a photograph by John Divola – As Far As I Could Get (R02F33), 10 seconds, 1996-7. Pigment print, 60 x 40 in.

I don’t know how he produced it, but the idea of putting the camera on a tripod with delayed action and then running as fast as you can into the scene quite appeals to me as the basis of an interesting series of images. Do others think that is perhaps what he was doing?