Quote Originally Posted by DREW WILEY View Post
Basically copying something Misrach did back in the 70's, when they were both neophytes to the art world, and when Divola himself was technically probably the worst color printer to ever disgrace gallery walls, or to vandalize the landscape.
So Drew, you didn't like his Zuma Beach series?

I thought they were interesting, but perhaps not something on which to hang a whole career. But what do I know? I believe he is fortunate to be included with the Southern California '60's- '70's light-space-performance artists that have become such a sensation in the last few years. He certainly fits the conceptual model, but again, I don't think his work has the weight of many of his contemporaries.