In the documentary, William Eggleston: In the Real World he doesn't talk about the printmaking much, but he does examine some closely. Another artist that has transitioned to inkjet yet doesn't make his own prints is Gregory Crewdson. In the documentary Close Encounters he is shown standing over the Epson printer, scrutinizing the minute details as it comes out of the printer, so he clearly cares about the quality, but has someone else do the work. Just an observation.