Quote Originally Posted by Mustafa Umut Sarac View Post
If you took intense colors film , a slide film and sonnar is so good but not classical feeling , its like wall mural modern.
I'd agree with that description about the 6-element 50/2 Sonnar design, from my limited experience (mostly with the Nikkor-HC version in LTM), but the 7-element 50/1.5 with slide film strikes me as very "classical"-looking. It depends greatly on the lighting, though; looking quickly over the shots I've used it for, I find that my favorites are either from hazy days or in oblique lighting. On a bright sunny day, the Nikkor seems to handle the contrast in a more "right"-looking way. All IMHO, of course, and with a lot of other confounding variables.