That's the beauty of a darkroom print. The image actually is inside the paper, vs sitting on top of it like with an inkjet print. Plus, the image isn't made w/ ink. Of course, Ansel was a genius, and a master at all aspects of photography, especially printing. There's a lot of his books at your library I'm sure. You can learn a lot from them. His working methods were extremely top notch, and it shows in the prints. Keep in mind that silver gelatin is a $100 phrase for any B&W print made on real photographic paper.
Years ago I was using a hybrid technique. I would shoot B&W film, send it out to be developed, scan it, then print it on an inkjet printer. Doggone it, I thought it looked pretty good, at least as good as what I was seeing locally. Then one day I visited a neighbor who shot 4x5 and darkroom printed the negs. My first thought was, I've wasted 3 years of my life. THIS is what it's supposed to look like. I never got on w/ LF, but I did finally start developing my own negs and printing in a bathroom (still do). It's a magical process, vs the scanning and inkjet printing, which was total frustration and stress. I learned so much from doing it myself. I still learn something new about photography every day. If there's a college that teaches a course, take it. Better yet, if there's someone locally that is good and will teach you the basics, even better. You can do it on your own. A lot of people did, including me. But it takes a lot longer.
Last edited by momus; 12-18-2013 at 02:39 PM. Click to view previous post history.