There is little more liberating than walking around with a meterless camera, one whose aperture and shutter speeds I have overwritten with EV values. I simply decide what 'number' the scene calls for and choose (based upon depth of field needed) the proper combination that I must set. I also like to judge distance and, although I love the metric system, I cannot leave my 'feet' behind; they are so ingrained into my mind.
In fact I think that forcing oneself to come to grips with light values is one of the better things one can do to round out the obvious need for believable composition. (Yes, Blansky, holding your fingers a certain way to frame scenes creates more opportunities than one could imagine). And too much information can stunt one's intellectual growth (as GRHazelton found out that more and better results came with having only the 28 and 200).
I would like to read a legitimate essay about how artists of time past dealt with an inability to buy proper artist's materials and still managed to trump the odds. In photography, likewise, I derive comfort from less bells and whistles. And, please do not avoid or try to deny that different exposures present different perceptions of the scene at hand. Sometimes shadow detail becomes mandatory. Sometimes NO shadow detail presents MORE of a photograph.
In summation, don't go by formulas. Go by the acclimation of perception through intelligent trial and error. - David Lyga
Last edited by David Lyga; 12-19-2013 at 03:25 PM. Click to view previous post history.