Ansel Adams had a good eye darkroom. Today we use filters for film Variable Contrast and changing developing time for paper. Digital uses Photo Shop all work great

Dave



Quote Originally Posted by Nathan King View Post
I'm embarrassed to say that until recently I had never seen a real silver gelatin print, mainly because I haven't been into photography very long. Several months ago I went to the art museum and saw an Ansel Adams print they had (Still Life with Egg Slicer, San Francisco). I had seen it online a million times, but it was breathtaking to see in person. It looked like the print had a third dimension to it (almost holographic). It was almost as if each element in the still life appeared to be "inside" the paper at a slightly different depth. There is obviously no dramatic depth of field in the still life, so how did he get the effect of relative depth in print? Was is a contact print from a large format camera? Is it the extremely sharp detail causing this? Is it something the average darkroom enthusiast can achieve with practice?