I've gotten nice delicate tones with inkjet, but regardless of the negative source, it's tough to get the tones WHERE you want them. Lots of variables. Paper type and humidity, coatings, brush type or rod, It's easy for a midtone to come out a little too dark or light. Best to print photos where the exact midtones aren't important, or identically coat a batch and keep making different curved digital negs till you get it right if you want to work hybrid. Or if working analog, keep printing differently on the same coated batch of paper.
For printing non-hybrid, decent midtones come from using pyrocat hd to make negatives that would silver print about grade3 (slightly low in contrast visually, but would have good invisble UV staining). These are non-hybrid 100% analog.