Quote Originally Posted by Chris Lange View Post
I read lots about the "tailor negative to paper" thing, but I basically just split-grade 99% of the time and, provided the silver is in the negative, arrive at the print I want without too much labor. I also do a lot of dodging and burning.

Maybe I accommodated my papers by accident, but I like making photographs a whole lot more than practicing my sensitometry.
What's a sensitometer?

I like printing too, and while I've been able to markedly improve my print quality, I've at the same time managed to reduce my darkroom waste to about half.