http://www.indiewire.com/people/int_...er_011030.html interviews Deakins on The Man Who Wasn't There. Also http://www.creationmag.com/editorial...e_02/dps.shtml

It's hard to tell from these, however -- though this film came after the digital neg color work on O Brother Where Art Thou? and there are definitely digital elements throughout, both obvious (the flying-saucer hubcaps) and less so (wire removals etc)

KB
Hayseed