I don't entirely agree. The objective of Dick Arentz was to provide a detailed and comprehensive description of the methods that he has chosen to make Pt./Pd. prints, not an account of all historical and contempoary methods that has been used to make prints of palladium and platinum metal . Many of us have experimentd with other methods, such as Malde-Ware and Ziatype POP, but eventually settled on the DOP method using ferric oxalate because overall it gives the most consistent results with the minimum of complications.
Originally Posted by Lukas Werth
One of the great strengths of Arentz's book is that it is based on a mastery of his own preferred working methods, and for the most part it does not make concessions to include procedures which he himself does not use. There would have been far more to criticize, in my opinion, if he had included sections on methods such as Malde-Ware or Zia when he himself does not advocate, teach or normally work with these methods.
Also, with reference to Mike Ware's comparison of the tone of Dick Arentz' prints with historical examples, the reproduction in his review is really way off. As Clay mentioned, the real tone of Arentz' work is much more neutral in tone, very much like the historical sample shown by Ware.
Last edited by sanking; 11-25-2005 at 12:09 PM. Click to view previous post history.