I've been balancing my prints for a mixture of tungsten and daylight. Without the warmth of the tungsten light, they feel stark, or cold...

This got me to thinking, why not put the warmth in permanently? I've never seen a selenium-sepia toned print in real life, only on the web, but it hints as being something to investigate.

Anybody have some links handy to sites that explain the process?

Thanks.

Murray