Quote Originally Posted by MurrayMinchin
Nope. Sorry Jim. Yer on your own on this one.

You either walk the analogue walk under the power of your convictions, knowing what is best for your images, or you hop on the digital bus...just be sure to have a handfull of transfer tickets if you do


I'm certainly not planning on abandoning traditional unless the day comes when the materials are either unavailable or become to expensive for my budget and even if that happens I will still use a ULF camera part of the time with colodion or some other non-film alternative.

I will avoid the computer for as long as possible, because I simply find the end result to be of more value (for me at least) due to the hands on nature, the craft and decision making processes from deciding on the film to the paper to interpreting the neg in the print. I don't mean value from a money point of view, but more value as anything hand made compared to a machine made object.

What is currently bumming me out is that I have always thought that with collectors and even the general public who are interested in photography and grapics, there would always be a higher appreciation for anything done via a traditional method.

That is if there were two photographers, both with outstanding images and ideas in the print, both worthy of gallery representation, one with a digital print and one with a silver gelatin, the silver gelatin (or platinum) would be seen as a "superior product" based on the nature of the process.

I began to realize that we had better hope that a gelatin print is considered equal to a digital one, but what I fear is that eventually silver will be seen as the inferior medium. If that happens, then it is not long before the number of new or even current users of traditional methods dwindles to the point that mfg of materials ends with the exception of some 35mm film from China or Eastern Europe.

The optimist in me understands that there will always be a group of people who want to persue a more "pure" or hands on way of doing things from a satisfaction point of view, whether it is woodworking or painting, or restoring a classic automobile. I hope that as digital takes over that maybe a few galleries will specialize in traditional work preserving and enhancing the cache of silver and platinum prints. I hope that I few schools always provide an opportunity for students to explore film and the darkroom or that at least enough people will be able to continue to provide workshops in traditional methods.

It will be interseting to see what news comes out of the Ilford conference in March and then what buzz the APUG conference causes in May. For myself, I am going to try to quit reading the magazines for awhile, stick to APUG on the web and go get some overdue printing done in the darkroom today.