I am happy to hear that you have used tri tone separation masking. I have been trying to determine the sequence that one would engage to arrive at the masks that would allow the printing of the shadows separate from the midtones and highlights, the midtones separate from shadows and highlights, and highlights separate from shadows and midtones. Would you be so kind as to elaborate on the process that you used to arrive at these masks. By that I mean the sequence of separation to arrive at negative masks that would allow printing the camera negative through the mask.
Originally Posted by jamesiscool
I would really like to see some of the work that you have which exhibits the degree of separation and luminosity that you indicate. Perhaps you would be willing to share that with me/us. Obviously if I could achieve what I desire an easier way then I am all for that.
By way of information, the last time that I checked Radeka was not up to speed or anywhere near up to speed on tri tone separation masking. I don't know that Lynn has even thought along those lines. At least he never indicated that to me in our conversations.