i do portraits on the side for the most part. every once in a blue moon i get a commission to shoot a portrait, but i tend to keep my portraits separate from the work i do every day (weekly paper and habs/haer work) ...

i'm not sure if it is that i don't want the commission to "taint" the portrait -if someone hires me to shoot something, they tell me what they want, and i do it ... i would rather decide how i want things to look - whether it is some sort of occupational portrait, or a character study.

i used to part own a gallery with a few people, and realize the gallery-thing helps with "exposure" but that is about it. for that matter, hanging work in a café seems like more people see it. unfortunately if a **real gallery** thinks you are a
"café-artist" - forget-about-it, they'll run fast