Yep, on some of them, it was just possible to see the edge of the dry mount tissue bleeding out the edge of the print. They were definitely dry mounted.
Originally Posted by Ian Grant
I think I saw this first while living in Paris five or six years ago-- can't remember the exhibit, since there were so many of them there, and I went to most of them. It may have been the big Edward Weston retrospective at the Carnavalet where I first noticed it. If so, then probably the dry-mounting, if not the overmatting and framing were probably done in the U.S.