Hi Donald,Originally Posted by Donald Miller
This is why I dredged up the Szarkowski piece - because when a photographer of unique perception recognizes a significant coelescence of compositional elements be they stream, rocks, trees, or hermaphrodite lacrosse players, then the subject matter becomes secondary to the strength of the artists vision. Simply put, if not for the photographer pointing it out...nobody would have noticed.
Why do we still bother composing music, or writing poetry? Why do novelists keep trotting out the old typical derivative subject matters of love, relationships, and conflict - the literary equivilants of streams, rocks and trees? Because, of all the untold billions of people who have walked the Earth, each persons voice is unique.
The subject matter isn't the limiting factor, just the depth of the photographers way of seeing and the aquired skills to materialize them...and the perception of the viewer.