I like where this is going.
My early "landscapes," (crap mostly), were all done in B&W. From shooting, to final print it was fast and fun to do. Then I discovered Kodachrome. Then I discovered Agfachrome. Then I discovered Fujichrome. Then I discovered Ilfochrome. I use color only as the final suggestion of what I'm trying to express. If the image doesn't already have all of the other elements that satisfy my curiosity, I won't print it. Great color or not. To me the color, however rich and brilliant, is secondary to the quality of the photograph, and mostly puts a "finishing touch" upon the subject matter.