Bjorke, it seems that your opinion, or the point you're trying to get across is that context is as important as the individual print. Sort of a buy the photographer not the photograph sort of thing.
I think that when a photographer decides to make a social documentary with their photographs, it may be a different thing than when a photographer with their built in prejudices and points of view, takes random picture of subjects than interest them.
But I still hold that if an individual picture can't stand up, then laying a story line around it, is just a crutch and the photograph fails. If that is the case then the photographer should take up cinematography, because the failures should end up in the garbage can and not the background for a series of mediocre pieces to a whole.