Dry down compensation
I was wondering what measures people take to compensate for dry down when printing. It seems to me that it is more of an issue with alternative processes than with silver given the nature of the paper.
I primarily do kallitypes and palladium and I often end up with a print in the wash that I am very pleased with but when I examine it the next morning after it has dried, it is too dark. I know the answer is technically simple: underexpose with the dry down in mind, but is there a reliable way to do this? Has anyone figured out an appropriate viewing light, for example, that one could use to appraise a wet print so that it looks the same as it would once it is dry?