I don't think it is so much of how it is produced, as it is whether or not it is shown, and in what context it is shown. Coming from a painting background, I see one off artwork could be considered fine art, which I suppose could lead some to think I would be biased against editions, or limited editions. My own choice is one off images for my photography displayed as fine art, though I recently had one of my fine art images chosen for use in an ad campaign (many thousands of reprints off a press); there is still only one original bit of film, and one chemical print from that.
There are many good explanations and thoughts in this thread. While getting a one true definition or concept might be elusive, hopefully reading all these posts gives you an idea of how to express this concept to your own satisfaction. If you want to define it very tightly, or be somewhat loose in your interpretation, I think few would take offense, nor would many consider it wrong.
The one original in photography is that frame of film that captured that image. Anything after that is a reproduction, though the choices of reproduction are often aspects that lead to heated discussions. My opinion is that inkjet reproduction is more like poster printing, but despite what I think about this there are numerous photographers selling inkjet prints as fine art prints. There is no mob rule in fine art, though we can only look back years from now to see how our current situation affects art history.
Technically if I wanted to use cardboard or newsprint and draw on it with magic markers, it could be fine art . . . if I can get a juror to accept it to an exhibit, or get a gallery to display it. While such an image would not be archival and probably fall apart after a couple years, it would still be fine art, just not finely made fine art. I have seen this often outside of photography, with paintings or scultures done in such a way that I know they will deteriorate, sometimes rapidly. I have also seen interesting exhibits involving wax cast sculptures that burned and melted, lasting only for a short time during the opening, and perhaps only retained for future generations viewing as a series of stills or a video. There has also been video as fine art, some of it I think very poorly done, though a few surprises.
The wonderful thing about the art world is that everything is in a constant state of change and motion. If you really want to push some aspects of your photography, perhaps you want to state that is it traditional photography, rather than just fine art.
A G Studio
Last edited by HerrBremerhaven; 09-13-2006 at 03:52 PM. Click to view previous post history.
Reason: Spellcheck failed me. :-(