Roger, thank you, I do know of the durability of Cibachrome and Ilfachrome.
They also had a colour negative to positive version, on the same plastic Cibachrome base, which I have used to great effect, brilliant product. Most people thought I was printing fantastic low contrast colour correct Cibachromes from transparencies, when in fact I was using negatives.
I have over the years met the (now) senior curator Isobel Crombie. I have attended some of her lectures about 10-13 years ago when she was rising through the ranks, so to speak.
She was the curator at Australia's first and only purpose built, photographic gallery, complete with a special archive system for prints and film. I know this, as one of the camera clubs I was a member of at the time, had a private tour of the facilities.
Unfortunately, the local council had it's boundaries changed and lost control of the gallery. The newly formed council decided this was too elite, so they just dropped the idea and turned it into another council run art gallery. Lot of money down the drain!
I see your reasoning and tend to agree with you about funding a lot of smaller works or photographers.
However, there is one thing about this that I really like, it's film!
Also, at 2 metres high by 2.5 metres wide it should have reasonable impact, especially if it is displayed in the usual half gloom, normal museum environment.
Due to the now famous purchase of Jackson Pollock's, "Blue Poles", which is held at the National Gallery in Canberra, this photograph will surely get the local moniker, "Blue Ropes"
Last edited by Mick Fagan; 12-16-2006 at 06:52 AM. Click to view previous post history.