Or brave persons could universally chuck the limited edition artifice. I find the idea of defacing my best negatives to create an artificial scarcity after I have pulled ten prints from them, repulsive.
I much more favor the "vintage" notion, where the negative date and the print date fall within the same year. Prints after the first year are no longer "vintage."
I usually make only 5-10 prints from a given negative anyway, but I find the concept of cerimoniously wrecking my negatives a bit silly, and I have better things to do than keep track of the total printing amounts for umpty negatives. My prints are already "rare" without my pretending so. If my son can print from my negatives for some bucks, years from now, great.
As far as being in the back of B&W as a "wannabe" I would just say it has been a very cost effective promotion, and that selling prints has far more to do with effective promotion in as many ways as possible, than what venue or venues your prints are marketed in. That little statement is what has been missing from this thread. Make a name- sell many prints. Be a nobody- sell few prints. Very few photographers have ever made it big by accident, but there are plenty of photographers better than me who sell very few prints because they simply can't stomach self promotion.
I'm J Brunner-Buy my prints- They are nice.