Quote Originally Posted by Daniel_OB View Post
He knew limits, or where to stop, in darkroom work very well.[/url]
I must disagree. Take a look at his two interpretations of Mount McKinley and Wonder Lake. In the later print ('78) vs (49), he totally disregarded atmospheric perspective and made an image that is top heavy and graceless. In the original, vintage print he surrenders the foreground to dark, featureless masses and the mountain to a sense of distant majesty. His earliest interpretation of Moonrise, Hernandez is similarly subtle with a graduated sky and more realistic sense of 'evening' light. His later renderings are almost garishly contrasty and blunt. A master, absolutely, but capable of missteps...absolutely as well.